| # | Highlights | Year |
|---|---|---|
| 001 | Mettapana: Audiovisual Immersion and Bodies in Dialogue | 2026 |
| 002 | Errant Typographies - Museo para la Identidad Nacional | 2025 |
| 003 | Artlab - Buenos Aires | 2024 |
| 004 | Immersive Dome | 2024 |
| 005 | Errant Typographies - Artlab - (AR) | 2024 |
| 006 | Museo de Antropología SPS | 2024 |
| 007 | MUTEK ES+AR | 2023 |
| 008 | National Theatre Manuel Bonilla | 2023 |
| 009 | MODULAR | 2023 |
| 010 | Creative Code Festival NYC | 2020 |
| 011 | Creative Code Festival — Sansar | 2020 |
| 012 | El sueño de la Mona Lisa | 2019 |
| 013 | 12th Yoga Congress | 2018 |
| 014 | «Archibrazo» | 2018 |
| 015 | Artist-in-Residence — MAB «La Maison André Breton» | 2018 |
| 016 | Cultura Guacamaya Dome | 2018 |
| 017 | Festival of Magical Places | 2018 |
| 018 | IHCIETI | 2018 |
| 019 | Interactive Installation | 2018 |
| 020 | MODULAR | 2018 |
| 021 | NIU: «El sueño de la Mona Lisa» | 2018 |
| 022 | Surrealistic Encounter «Surrealism in Japan» | 2018 |
A return to Artlab Pro in Buenos Aires for the Errant Typographies exhibition — a series of works exploring the collision between generative visual systems and live sound.
The photographs by @aguacatepsicomagico document both the exhibition and the performance, capturing the scope of a residency that continues to exceed expectations.
Artlab Pro, Buenos Aires, Argentina — December 2024
Mettapana works at the intersection of generative art, creative coding and musical composition; his work explores the dialogue between technology, sound and image as a contemplative practice.
Mettapana has left its mark on a wide range of festivals including MODULAR (HN) Domo Experience and MUTEK ARGENTINA/SPAIN. He has participated as Artist in Residence at MAB «La Maison André Breton» in France, and exhibited at Creative Code Festival in New York and BRIFW in Brazil. His presence has been recurrent in festivals and artistic residencies across Europe and America.
Inspired by the macro and micro universes of nature, his experiences invite immersion in diverse landscapes represented through live visuals of generative and interactive art. Technology is applied to performing arts, where visual compositions render in real-time, interacting audio-reactively with live instruments like bandoneon, piano, and modular synthesizers.
Nicolás is a digital visual artist and musician with over 15 years of trajectory. Recognized as a cultural activist, he has worked in prominent spaces like Archibrazo in Buenos Aires and is the co-founder of Cultura Guacamaya in Tegucigalpa. METTAPANA is the project that reunites all these experiences, where sound design, programming, and visual creations coexist.
Trained at the Leopoldo Marechal Conservatory and EMBA, he studied Recording Engineering and Music Production at Inartec. A self-taught bandoneon player since 2009, he has toured Europe and South America with groups like MIL ABRAZOS and BICICLETA TRÍO, and composed for dance-theater projects like 'Permiso para pisar un mundo' in Medellín.
Km 5.5 cta a Valle de Ángeles, Tegucigalpa, Honduras
Code, Sound, and Image as a Contemplative Practice.