Mettapana works at the intersection of generative art, creative coding and musical composition; his work explores the dialogue between technology, sound and image as a contemplative practice.

Collaborations & Inquiries

# Highlights Year
001 Mettapana: Audiovisual Immersion and Bodies in Dialogue 2026
002 Errant Typographies - Museo para la Identidad Nacional 2025
003 Artlab - Buenos Aires 2024
004 Immersive Dome 2024
005 Errant Typographies - Artlab - (AR) 2024
006 Museo de Antropología SPS 2024
007 MUTEK ES+AR 2023
008 National Theatre Manuel Bonilla 2023
009 MODULAR 2023
010 Creative Code Festival NYC 2020
011 Creative Code Festival — Sansar 2020
012 El sueño de la Mona Lisa 2019
013 12th Yoga Congress 2018
014 «Archibrazo» 2018
015 Artist-in-Residence — MAB «La Maison André Breton» 2018
016 Cultura Guacamaya Dome 2018
017 Festival of Magical Places 2018
018 IHCIETI 2018
019 Interactive Installation 2018
020 MODULAR 2018
021 NIU: «El sueño de la Mona Lisa» 2018
022 Surrealistic Encounter «Surrealism in Japan» 2018

© 2026 Mettapana. All rights reserved.

Audience interacting with generative typographies

Domo de Cultura Guacamaya April 2026

Mettapana - Live Performance and Interactive Installations. More than an event, it was an immersive day that blurred the boundaries between music, contemporary dance, generative art, and the audience.

Living Architecture and 360° Experience

Breaking away from traditional stage frontality, the work came to life in the exact center of the dome. This spatial arrangement allowed attendees to inhabit the space freely, orbit around the performances, and choose their own perspectives.

The architecture of the venue was not a simple container, but an active canvas. The lighting design was conceived to reveal volumes, direct attention, and sculpt the space, creating an enveloping atmosphere where the circular scale of the dome, light, and sound dialogued in real-time.

Mettapana A/V Live Performance

The opening of the event. An immersion where sound and generative imagery merged to take control of the dome’s atmosphere.

Mettapana A/V Performance - Visuals and Music

Body and Technology

The day continued with the presentation by Sol Nazzar. Through live music and contemporary dance, her performance interacted directly with reactive visuals, expanding the relationship between the human body, space, and technological perception.

Sol Nazzar - Contemporary Dance Performance

A Space for Dialogue

The event closed with an open talk where we delved into the creative processes behind the works, the integration of technology in the performing arts, and the future of immersive experiences in the region.

Information

Mettapana works at the intersection of generative art, creative coding and musical composition; his work explores the dialogue between technology, sound and image as a contemplative practice.

Festivals & Residencies

Mettapana has left its mark on a wide range of festivals including MODULAR (HN) Domo Experience and MUTEK ARGENTINA/SPAIN. He has participated as Artist in Residence at MAB «La Maison André Breton» in France, and exhibited at Creative Code Festival in New York and BRIFW in Brazil. His presence has been recurrent in festivals and artistic residencies across Europe and America.

Artistic Vision

Inspired by the macro and micro universes of nature, his experiences invite immersion in diverse landscapes represented through live visuals of generative and interactive art. Technology is applied to performing arts, where visual compositions render in real-time, interacting audio-reactively with live instruments like bandoneon, piano, and modular synthesizers.

Background

Nicolás is a digital visual artist and musician with over 15 years of trajectory. Recognized as a cultural activist, he has worked in prominent spaces like Archibrazo in Buenos Aires and is the co-founder of Cultura Guacamaya in Tegucigalpa. METTAPANA is the project that reunites all these experiences, where sound design, programming, and visual creations coexist.

Musical Roots

Trained at the Leopoldo Marechal Conservatory and EMBA, he studied Recording Engineering and Music Production at Inartec. A self-taught bandoneon player since 2009, he has toured Europe and South America with groups like MIL ABRAZOS and BICICLETA TRÍO, and composed for dance-theater projects like 'Permiso para pisar un mundo' in Medellín.

Mettapana
Live Performance
Generative Art
Installation

Contact

mettapanasound@gmail.com

Km 5.5 cta a Valle de Ángeles, Tegucigalpa, Honduras

Social

Code, Sound, and Image as a Contemplative Practice.